Five Inventions

 Inventions ℗ 2026 Can-Am Trio

Released on: 2026-06-26 Main Artist: Can-Am Trio 

Producer: Sarah Hamilton

Producer: Ronald Royer

The trio includes Sarah Hamilton on oboe, Dr. Geralyn Giovannetti on oboe (recently retired from Brigham Young University) and English hornist Anna Mattix of the Buffalo Philharmonic Orchestra.

Midnight Garden

Midnight Garden ℗ 2026 Akashic Classics Released on: 2026-02-13

 Producer: Ronald Royer

ALBUM PLAYLIST

Tracks:

  1. Maria Molinari – Fantasia, for Clarinet, Violin, Viola and Cello (6:15) – Kaye Royer, clarinet, Tiffany Yeung, violin, Jacob Clewell, viola, Chris Hwang, cello
  2. Anika-France Forget, music, Aude A. Saint-Laurent, words – I Will Whisper Your Name, a Sweet Boy’s Lullaby, for Mezzo Soprano, Cello and Piano (5:25) – Danielle MacMillan, mezzo soprano, Samuel Bisson, cello, and Lisa Tahara, piano
  3. Shreya Jha – Midnight Dance (Forgetting), for Flute and Piano (5:26) – Mor Shargall-Bisson, flute, Talisa Blackman, piano
  4. Maziar Heidari – Oasis (3rd Movement), for String Quartet (3:26) – Odin Quartet, Alex Toskov, violin, Tanya Charles, violin, Matthew Antal, viola, Samuel Bisson, cello
  5. Hsiu-Ping Patrick Wu – That Last Moonlight, for Soprano, Cello and Piano (4:18) – Maghan McPhee, soprano, Samuel Bisson, cello, and Vanessa Yu, piano
  6. Massimo Guida – The Burning Cove, for String Quartet (6:50) – Odin Quartet
  7. Alex Sandoval – Immortal Stones, for Cello and Piano (4:43) – Ronald Royer, cello, Talisa Blackman, piano
  8. Mitsuko Fernandes, words and music – Empty Streets, for Soprano and Piano (3:08) – Maghan McPhee, soprano and Vanessa Yu, piano
  9. Lauren Greenberg – Of Wisdom, for String Quartet (4:16) – Odin Quartet
  10. Sergei Kofman – Wither I Know Not Where, for String Quartet (6:14) – Odin Quartet
  11. Ryan Fwu, music, Maya Toussi, words – The Midnight Garden, for Soprano and Piano (3:27) – Maghan McPhee, soprano and Vanessa Yu, piano
  12. Brandon Walker – Suite, for Clarinet, Violin, Viola and Cello (9:21) – Kaye Royer, Tiffany Yeung, violin, Jacob Clewell, viola, Chris Hwang, cello
  13. Ronald Royer – Fantasy Scherzo, for Cello (4:30) – Ronald Royer, cello
  14. Yuhan Zhou, words and music – Tonight, for Soprano and Piano (3:07) – Maghan McPhee, soprano and Vanessa Yu, piano
  15. Saman Shahi – Oasis (1st Movement), for String Quartet (3:26) – Odin Quartet
  16. Daniel Mehdizadeh – Scherzo, for Clarinet, Violin, Viola and Cello (6:58) – Kaye Royer, clarinet, Corey Gemmell, violin, Brenna McLane, viola, Ronald Royer, cello

Introduction to the Midnight Garden Album

Sitting in a beautiful garden in the dead of night is a wonderful time to contemplate and dream. The music on the Scarborough Philharmonic Orchestra’s album, Midnight Garden; Canadian Chamber Music and Songs, tells an engaging set of stories evocative of this nighttime activity. Five of the tracks on the album are songs with lyrics, which provide a clear storyline. The remaining eleven tracks feature expressive instrumental music, thus allowing for individual interpretation by the listener. It is hoped the listener will be taken on a moving musical journey throughout the album.

The Scarborough Philharmonic Orchestra is thrilled to present this exciting collection of music by our group of gifted Canadian composers. We are proud that thirteen of the tracks are by composers who participated in our New Generation Composers’ Program, between 2016 and 2024.

The SPO wishes to thank our excellent group of seventeen performers for all their efforts to bring this collection of compositions to life so effectively!

Ronald Royer, SPO Artistic Director (January 2026)

Sponsors for various parts of this album: CCA, OAC, TAC, SOCAN, Telus, RBC Foundation, The Gooder Foundation

Journey Through Night

Journey Through Night: Canadian Music for String Quartet

℗ 2021 Akashic Rekords

Released on: 2021-10-29 Producer: Ronald Royer

The album CD contains these tracks, by composers connected with the Scarborough Philharmonic Orchestra:

1. Danzón Overture (Ronald Royer) 5:53

2. Suite from “The Pearl” Part I (Bruno Degazio) 5:33

3. Suite from “The Pearl” Part II (Bruno Degazio) 7:55

4. for Mor (Samuel Bisson) 4:12

5. String Quartet No. 1 – 1st Movement (Ronald Royer) 4:14

6. String Quartet No. 1 – 2nd Movement (Ronald Royer) 7:19

7. gibbons vs. Gibbons (Alex Eddington) 3:24

8. Victims of Eagles (Elizabeth Raum) 8:18

9. Dialectics (Daniel Mehdizadeh) 6:03

10. Journey Through Night Part I (Chris Meyer) 5:09

11. Journey Through Night Part II (Chris Meyer) 4:59

12. Journey Through Night Part III (Chris Meyer) 5:43

Learn more about the Odin Quartet: http://www.odinquartet.com/ |   / odinquartet   |   / odinquartet   |    / odinquartet   Learn more about Akashic Classics and Akashic Rekords:    / @akashicrekords6447   |   / akashikrekords   |   / akashicrekords   Learn more about the Scarborough Philharmonic Orchestra: https://www.spo.ca

CD FULL PLAYLIST

CD TRAILER

Canadian Panorama

Cambria Master Recordings
2017

In short, this recording and the music so beautifully performed on it are, and will continue to be for many years, a precious gift to us all in the year of our nation’s 150th birthday. –

The WholeNote, Allan Pulker, January 23, 2017

The Hollywood Flute of Louise DiTullio

Cambria Master Recordings
2009

Louise DiTullio-Flutes
Sinfonia Toronto, Ronald Royer-Conductor

“This CD was recently evaluated by me and I believe it is one of the best soloist performances of film music in recent years. Louise DiTullio’s flute playing is flawless and the choice of film music is outstanding, especially the suite from HOOK, arranged by Mark Watters. Also, the selections arranged by Ronald Royer make for very enjoyable listening. Because of its excellence I am designating this CD as Editor’s Choice, Best of the Month. It fully deserves any accolades it might receive. “

Roger Hall, Film Music Review, November 2010

This recording fulfills my own personal goals to revisit and record some of the solos I have played in films over my long career as well as concert music written for me by celebrated film composers. I have had long-standing professional relationships with all of the composers on this disc over several decades, having played on more than 1,200 movies, many of them scored by these composers. Le Papillon was written for me by David Rose in 1980 and I played its premiere in the same year. It has been my wish ever since to help secure a place for it in the flute repertoire with a recording.

Born in Los Angeles, the progeny of two wonderful, highly respected musical families,  I grew up as a musician with the support, encouragement and advice of my father, several uncles and cousins, all busy, working professionals.  My father, cellist, Joseph DiTullio, my sister, pianist Virginia DiTullio Royer, and I performed for many years as the DiTullio Trio. Living in Los Angeles, I have had the opportunity to pursue simultaneous careers in recording as well as all facets of classical music.

Words can never express my gratitude to John Williams, John Barry, Danny Elfman, Laurence Rosenthal, and posthumously, Jerry Goldsmith and David Rose, for the honor of playing in their orchestras for literally decades. Their music has filled me with joy and provides an outlet for music-making of an entirely different kind.  Although I love playing classical music, playing movie music of the quality that they produce completes a musical circle for me that I value beyond measure.  I thank them for allowing me to adapt and include their music in this presentation.  Thank you to David Rose Publishing for commissioning the reduced orchestration of Le Papillon to make this recording possible, and for permission to make this first recording of the work.  Thanks also to Larry Rosenthal for his permission to make the first recording of The Piper at the Gates of Dawn.  Special thanks to composer Mark Watters for his remarkable adaptation and orchestration of the music to Hook.  And finally, special recognition and thanks to my nephew, Ronald Royer, for composing Short Stories for this CD, arranging the movie music and Le Papillon, conducting the recording sessions, and taking care of a myriad of details as the project’s co-producer. It is largely due to his efforts that this CD was conceived and became a reality.

Finally, now that it is complete, there is the realization and satisfaction that there is more than an hours’ worth of new repertoire for the flute.  It is at once beautiful, challenging, fun, and musically rewarding.  I take great satisfaction in sharing this music as a legacy to future flutists.  May they enjoy playing it as much as I.

–Louise Di Tullio, August, 2009

Short Stories for Flutes, Harp, Percussion & String Orchestra

Siren’s Song, for Alto Flute (4:07)

Rather Blue, for Bass Flute (3:23)

The Chase, for Flute (2:55)

Child’s Play, for Piccolo (3:24)

Commissioned by Louise DiTullio for The Hollywood Flute CD Recording and Concerts, Short Stories was composed to showcase the varied tone colors and techniques of the alto flute, bass flute, flute and piccolo. During her career as a free-lance musician in the studios of Los Angeles, Louise has regularly been asked to play these four unique instruments. As well, Short Stories was designed to connect with the style and programmatic content of the film music theme of The Hollywood Flute project.

Siren’s Song for alto flute was inspired by the many great scores for Film Noir movies. The composer felt the hauntingly beautiful sound of the alto flute was a perfect fit for the classic femme fatale character of this genre.

Rather Blue for bass flute was inspired by blues and jazz; two musical idioms commonly found in film music. While the bass flute can be found in jazzy scores by composers like Henry Mancini, it is unusual to find the instrument playing quite so many notes as found in this challenging piece.

While the solo flute is usually not the featured instrument heard during dramatic chase scenes, The Chase was composed to demonstrate that the flute can play with the flair and virtuosity needed to create the tension required for effective ‘chase’ music. Imagine a scene featuring a chase on foot through the narrow streets of a crowded city.

Child’s Play for piccolo was inspired by the qualities of magical imagination and youthful enthusiasm commonly found in music associated with children in film. Louise specifically requested that the movement for piccolo feature the less commonly used melodic aspect of the piccolo as well as the typical virtuosic side of the instrument.

It was a true pleasure to be able to create this recording with my aunt, Louise DiTullio. I grew up hearing Louise, my pianist mother Virginia DiTullio Royer, and my cellist grandfather, Joseph DiTullio rehearsing and performing. These and other family members inspired me to become a musician. It was wonderful to be able to work with Louise, first as a cellist and later as a composer and conductor. This recording is a special part of that collaboration.

It was my honor and pleasure to be able to arrange and conduct the music of a group of great film composers. Finally, I appreciated co-producing this recording with my friend, Dr. Jeannie Pool, another person I have great respect for.

Ronald Royer

Audio Tracks on YouTube:

Canadian Mosaic

Tracks

  1. An-lun Huang – Seven Canadian Folk Songs in Chinese Style, for Chamber Orchestra
    (21:01) – Canadian Sinfonietta, Tak-Ng Lai, Conductor
  2.  Ronald Royer – Mirage, for Clarinet, Violin, Viola, Cello, and Piano (9:26) – Canadian
    Sinfonietta Chamber Players: Kaye Royer, Clarinet; Joyce Lai, Violin; Andras Weber,
    Cello; Talisa Blackman, Piano; with Guest Máté Szücs, Viola
  3.  Tak Ng-Lai – Romance No. 2, for Violin and Strings (8:32) –
    Joyce Lai, Solo Violin; Canadian Sinfonietta Chamber Players: Tak-Ng Lai, Conductor;
    Jin Lee Youn and Alain Bouvier, Violins; Ian Clarke, Viola; Andras Weber, Cello; Tim
    FitzGerald, Bass
  4. . Ronald Royer – Night Star, for Clarinet and Chamber Ensemble (8:30) –
    Kaye Royer, Solo Clarinet; Canadian Sinfonietta Chamber Players: Tak-Ng Lai, Conductor; Erica Goodman, Harp; Lorne Grossman, Glockenspiel; Joyce Lai and Jin Lee You, Violins; Ian Clarke, Viola; Andras Weber, Cello; Tim FitzGerald, Bass.
  5. Michael Pepa – Liliane, for Mezzo Soprano and Chamber Orchestra (8:40) – Maria Soulis, Mezzo Soprano; Canadian Sinfonietta; Tak Ng Lai, Conductor
  6.  Bruno Degazio – Pilgrimage, for Octet (8:35) –
    Canadian Sinfonietta Chamber Players: Ronald Royer, Conductor; Stephen Tam, Flute;
    Kaye Royer, Clarinet; Kristin Day, Bassoon; Joyce Lai and Alain Bouvier, Violins; Ian
    Clarke, Viola; Andras Weber, Cello; Talisa Blackman, Piano

 

World Premiere Recordings (Tracks 1, 3, 5 & 6)

Tracks 2 & 4 previously released on Night Star, Chamber Music by Ronald Royer– Akashic
Classics,
AE 23001.

INTRODUCTION
The Canadian Sinfonietta (CS) is a Toronto based classical music organization that performs a variety of concerts every year, featuring a large-scale orchestra, small intimate chamber ensembles, as well as a youth orchestra concerts and other activities. The mission of the Canadian Sinfonietta is to attract a new generation of concert goers by presenting concerts that have a balance of traditional and newly composed or culturally interesting programs. Our concerts are both accessible as well as new and fresh. Our programs often feature interdisciplinary artistic presentations, multi-cultural music, non-western    instruments and  diverse Canadian artists.

We are excited to present our first commercial album: Canadian Mosaic. Our ensemble, founded in 1998, is thrilled to be able to share our music worldwide. Performing Canadian music is part of our mandate, so it made sense to record music by some of the composers involved in our community. The music on this album finds its inspiration from various cultures  from around the world, from Canada to the USA, France, China and more. Our hope is this     Canadian musical mosaic will take you on an engaging and enjoyable journey.

We started planning the album in 2018, and recorded Mirage in the fall of 2019. We booked more recording sessions for June 2020 but had to cancel due to the pandemic. We didn’t give up and were able to record Romance No. 2 and Night Star in June 2022. We completed recording in February and June of 2024. We were thrilled to finally release the album on November 15, 2024 using the Toronto based record label, Akashic Rekords with their distributor, the Universal Music Group.


This project has been a special experience, allowing the musicians to work closely together creating a feeling of family and friendship. There was a lot of passion and love for music in creating this album, particularly since every piece is by a composer in our community. Thus the process began not just in the practice room, but with the composer, with whom the musicians could closely work with to create the best possible performance.
This album is the culmination of many years of work and perseverance by a group of devoted people in the organization. Tak Ng Lai, the founder and music director of the Canadian Sinfonietta, has given us his constant leadership and musical guidance. Tak Ng conducted four of the compositions on the album and provided his Romance No. 2. Aster Lai, the wife of Tak Ng, has been tireless working to raise money, not just for the album but for the over 26 years of concerts and events that the orchestra has been involved with. Plus, there are all the supporting members of the family who both play for and help with each and every event. This album is co-produced by artistic director and concertmaster Joyce Lai along with composer and conductor Ronald (Ron) Royer, each bringing their own expertise to the album. They led the planning and organization of the album, ran the recording sessions, and were
involved with editing and the distribution of the music. Joyce also performed on every work on the album, and Ron provided two compositions (Mirage and Night Star) and conducted the CS ensemble for Pilgrimage.

Acknowledgement needs to be given to the other composers involved on this album: CS composer-in-residence Michael Pepa, An-Lun Huang, and Bruno Degazio, who composed their works especially for the orchestra.

There are other wonderful musicians on the album, many of whom have performed with the       ensemble for all 26 years. Two of our musicians were asked to take on a solo role, clarinetist Kaye Royer and mezzo soprano Maria Soulis. A special thank you goes to violist Máté Szücs, Hungarian born soloist and former principal violist of the Berlin Philharmonic, who graciously recorded with CS while on tour in Southern Ontario in 2019. Thanks also need to be given to
the recording engineers and editors and all the people behind the scenes who helped. Finally a big thank you to all the sponsors who’s donations made this recording happen.

Songs of Hope

TRACKS:

1.      Shreya Jha: Walk With Me (5:03)  [notes and lyrics]

2.      Elienna Wang: Rosé Leaves (5:36) [notes and lyrics]

3.      Ted Runcie: Where Shadow Chases Light (5:42) [notes and lyrics]

4.      Leela Gilday: All Alone (4:11)

5.      Daniel Mehdizadeh: New Castles (5:12) [notes and lyrics]

6.      Rachel McFarlane: Eternal Embrace (4:15) [notes and lyrics]

7.      Bruno Degazio: Seven Parables of the Rising Dawn (17:09) [notes and lyrics]

8-10.  Ronald Royer: Women of Dante’s Divine Comedy, Three Songs [notes and texts]

    • Francesca da Rimini (Inferno) (6:05)
    •  Sapia of Siena (Purgatory) (6:42)
    • Beatrice (Paradise) (5:55)

Danielle MacMillan, Mezzo Soprano (Tr. 1-10)

Maghan McPhee, Soprano (Tr. 3, 5)

Ronald Royer, Conductor (Tr. 1, 6-10)

Ted Runcie, Conductor (Tr. 3)

SPO Chamber Players:  

Kaye Royer, Clarinet (Tr. 1, 3, 6-10)

Kristin Day, Bassoon (Tr. 7-10)

Gilles Thibodeau, Horn (Tr. 1, 3, 7-10)

Lisa Tahara, Piano (Tr. 1-3, 5, 7-10)

Odin Quartet:

Tanya Charles, Violin (Tr. 1, 3, 4, 6-10)

Alex Toskov, Violin (Tr. 3, 4, 6-10)

Matthew Antal, Viola (1-4, 6-10)

Samuel Bisson, Cello (1, 3-10)

Production:

Matt Antal, Recording Engineer; Jamie Way, Cover Design; Ronald Royer, Producer

.

Odin Quartet, 2024

Artistic Statement:

In 2023, the SPO decided to embark on a musical journey. We asked ourselves: “How can artists respond to the times in which we live?” Our answer was to create a song cycle embracing the theme, “through adversity, hope”.  We brought together composers with a variety of lived experiences and cultural perspectives, who were also at different stages of their lives and careers. We selected 2 singers and chose an ensemble of 8 musicians from the SPO community, including our ensemble-in-residence, the Odin Quartet. We asked mezzo soprano Danielle MacMillan to be involved as we developed the various stories, lyrics, and music. Some of our composers wrote their own lyrics, and others were inspired by and adapted historical works. Each composer maintained their own musical voice but worked collaboratively while creating their lyrics and music. The SPO wanted to create a unified song cycle with the goal of engaging and touching our audience with music that finds hope in the face of challenge. For the next stage, Songs of Hope was workshopped, rehearsed, performed and finally recorded. Soprano Maghan McPhee summed it up for our team,

“For me, this project reaffirmed a core truth: music isn’t just about notes and rhythms—it’s about the stories we tell and the bonds we form along the way.Here’s to hope, collaboration, and the enduring power of art to connect us all.”

Between the Lines

Tracks:

  1. Kye  Marshall,  Lullaby Liaisons
  2. Alex Sandoval, A Wicked Curse 
  3. Ronald Royer, Musical Angels, Variations on a theme by Josquin des Prez
  4. Eric Radford, Passacaglia Capricciosa
  5. Ronald Royer,  Capriccio (In Memory J.S. Bach) 
  6. Samuel Bisson, 3 Tableaux pour Mathieu et Rebecca
    1.  Adagio – Andante Maestoso
    2. Tranquilo
    3. Allegro
  7. Brandon Walker: Spring Suite
    1. Awaken
    2. Bloom
    3. Frolic
  8. Bruno de Gazio, Three Fractal Minatures
    1. Koch Classic
    2. Ave at Sea
    3. A little shuffled musik

 

 

Canadian Expedition

World Premiere Recordings (Tracks 2-15)

Track 1 was previously released on Night Star, Chamber Music by Ronald Royer – Akashic Classics, AE23001.

Odin Quartet – Alex Toskov and Tanya Charles Iveniuk, Violins, Veronica Lee (1) and Laurence Schaufele (14), Violas, and Samuel Bisson, Cello.

Tracks

 1. Ronald Royer – Danzón Overture Remix, for String Quartet and Percussion (6:08) Odin Quartet, Alejandro Céspedes, Percussion

2. Bruno Degazio – Variations on The Wayfaring Stranger, for Clarinet, Cello and Piano (10:04) Kaye Royer, Clarinet, Ronald Royer, Cello, Talisa Blackman, Piano 

3. Brandon Walker – Pastoral, for Oboe, Violin, Viola and Cello (4:41)  Gillian Howard, Oboe, Corey Gemmell, Violin, Brenna McLane, Viola, Ronald Royer, Cello 

4-6 Elizabeth Raum – Conversations for Flute and Piano (Excerpts) Lesley Duff, Flute, Talisa Blackman, Piano 

  • Greeting, No. 1 (2:00)
  • Gossip, No. 3 (2:43)
  • Quarrel, No. 4 (2:04)

7-9 Iranian Canadian Composers of Toronto (ICOT) – Images, for Clarinet, Trumpet, Bassoon, and Cello
Kaye Royer, Clarinet, Declan Scott, Trumpet, Larkin Hinder, Bassoon, Ronald Royer, Cello

  • . Maziar Heidari – Dunes, for Trumpet and Bassoon (2:32)
  • Keyan Emami – Canebrake, for Clarinet and Cello (2:03)
  • Saman Shahi – Carnival, for Clarinet, Trumpet, Bassoon and Cello (2:42)

10. Elizabeth Raum – Elegy from Phanton Drum, for Oboe, Violin, Viola and Cello (4:58) Gillian Howard, Oboe, Corey Gemmell, Violin, Brenna McLane, Viola, Ronald Royer, Cello

11. Ronald Royer – Toccata, for Violin and Piano (4:00) Corey Gemmell, Violin, Lisa Tahara, Piano 

12.  Rebekah Cummings – Embryo, for Flute and Electronics (8:37) Laurel Swindon, Flute

13.  Daniel Mehdizadeh – Koozeh (Two Thousand Silent Pots of Clay), for Wind Ensemble (4:43) Winds of the Scarborough Philharmonic Orchestra, Ronald Royer, Conductor

14. Samuel Bisson – EPITAPH foratonality, Concertpiece for String Quartet and Orchestra (11:09) Odin Quartet, Scarborough Philharmonic Orchestra, Ronald Royer, Conductor

15. , Encore: Ronald Royer – Variations on Green Bushes, for Solo Violin (6:51)  Corey Gemmell, Violin 

The Canadian Expedition album invites listeners to buckle up for a variety of musical journeys. Written by 10 Canadian composers, these excursions are inspired by musical and cultural elements from Canada, the United States, Latin America, Europe, and the Middle East. These expeditions range from the exciting cinematic orchestral showpiece, Epitaph, to the intimacy and humour of the solo violin Variations on Green Bushes. The composers use a variety of styles, instruments and themes, engaging listeners in thoughtful, and fun adventures. 

This album also is a sequel to the SPO’s first commercial album, Canadian Panorama (2017). Both albums showcase a group of Canadian composers and professional performers who are part of SPO’s extended family. The SPO is thankful for all their efforts on this album, and we are pleased to present their talents to a national and international audience through this recording. 

I Remember

Cambria Master Recordings, 2017

University of Toronto Schools: Alumni Musicians and Friends

Derek Bate, Aaron Dou, Su Jeon Higuera, & Annie Zhou – Piano

Billy Bao, Conrad Chow, Amir Safavi, Emma Meinrenken, & Aaron Schwebel – Violin

Donna Oh & Ronald Royer – Cello, Mark Laidman – Bass, Rebecca Moranis – Flute, James Sommerville – Horn, Cynthia Smithers – Soprano, Alastair Thorburn-Vitols – Boy Soprano, David Fallis – Narrator, & Alex Eddington – Conductor

Tracks
  1. Alexander Scriabin (1872-1915): Valse in A flat major, Op. 38 (5:26): Annie Zhou – Piano
  2. Johannes Brahms (1833-1897): Scherzo from the F.A.E. Sonata (Sonatensatz) (5:07): Amir Safavi – Violin & Aaron Dou – Piano
  3. Paul Dukas (1865-1935): Villanelle (6:33): James Sommerville – Horn & Annie Zhou – Piano
  4. Antonin Dvořák (1841-1904): Romance in F minor, Op. 11 (11:58): Aaron Schwebel – Violin & Derek Bate – Piano
  5. Frédéric Chopin (1810-1849): Trois Écossaises, Op. 72, No. 3 (1:57): Annie Zhou – Piano
  6. Henri Vieuxtemps (1820–1881): Souvenir d’Amérique, Variations burlesques sur “Yankee Doodle”, Op. 17 (5:14): Emma Meinrenken – Violin & Su Jeon Higuera – Piano
  7. Alexander Rapoport (1957-): Waldberauscht (Forest Rush) (3:26): James Sommerville – Horn & Annie Zhou – Piano (Premiere Recording)
  8. Ronald Royer (1959-): Danzon (8:37): Conrad Chow, Aaron Schwebel – Violins, Ronald Royer – Cello & Aaron Dou – Piano (Premiere Recording)
  9. Sarah Shugarman (1976-): Carousel (4:17): Aaron Schwebel, Conrad Chow, Emma Meinrenken – Violins, Ronald Royer, Donna Oh – Cellos & Mark Laidman – Bass (Premiere Recording)

10 -11. Alex Eddington (1980-): Bubblegum Delicious (based on poetry by Dennis Lee) (7:40 & 6:20): Cynthia Smithers –  Soprano, Rebecca Moranis – Flute, Conrad Chow – Violin, Donna Oh – Cello, Aaron Dou – Piano, David Fallis – Narrator & Alex Eddington – Conductor (Premiere Recording)

  1. Billy Bao (1996-): Dance (2:53): Billy Bao – Violin & Ronald Royer – Cello (Premiere Recording)
  2. Felix Mendelssohn (1809-1847): Auf Flügeln des Gesanges (On Wings of Song), Op. 34, No. 2 (2:39): Alastair Thorburn-Vitols – Boy Soprano & Derek Bate – Piano

Total Time: 72:38

Introduction

Featuring newly composed Canadian and traditional European chamber music, I Remember is a compilation of artists reflecting on youth through music. The recording explores themes of playfulness, passion, nostalgia, joy, and love. These themes were in mind when five Canadian composers wrote their music and the performers chose the other pieces. All performers and Canadian composers featured on this CD are connected to University of Toronto Schools (UTS). Affiliated with the University of Toronto, UTS focuses on providing students from Grades 7 to 12 an exceptional academic experience. The music on this CD is an eclectic collection, representing an institution that supports varied individual interests, and celebrating a passion for learning.

Ronald Royer – Danzon (8:37)

Conrad Chow, Aaron Schwebel-Violins, Ronald Royer-Cello & Aaron Dou-Piano (Premiere Recording)

Danzon is inspired by two divergent sources, the city of Los Angeles and the In Nomine section of the Mass Gloria tibi Trinitas by John Taverner (c.1490-1545). Originally, this work was the fourth movement of my Dances with Time, a concerto for Flute, Cello, and Chamber Orchestra. For Danzon, the In Nomine musical material serves as the melodic inspiration and is transformed through the prism of Los Angeles, which contributes musical elements from Latin America and Film Noir movie scores.

Since I was born, grew up and began my career in Los Angeles, I felt Danzon would fit the theme: I Remember. I arranged Danzon to allow me to perform with two of my former UTS students (violinists Conrad Chow and Aaron Schwebel), and a current senior student, pianist Aaron Dou.